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Feminist Media Histories
Global Comics
Two Women's Texts and a Critique of Cultural Imperialism
Katherine Kelp-Stebbins
Feminist Media Histories, Vol. 4 No. 3, Summer 2018; (pp. 135-156) DOI: 10.1525/fmh.2018.4.3.135
Katherine Kelp-Stebbins
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Abstract

This article examines the critical reception of works by comic artists Zeina Abirached and Marjane Satrapi, and specifically articulations of likeness and contrast between them. Surveying the frequent comparisons of Abirached's A Game for Swallows (2007, 2012) to Satrapi's Persepolis (2000–2004) provides a methodological framework by which to reconsider the cultural and capital economies of world literature and global comics. This analysis is guided by questions regarding global comics as an emergent textual form that complicates world literature as a system of cultural recognition. What role does the emphasis on these two women authors as Middle Easterners play in the reception of their books in Europe and the United States? How do transnational literatures capitulate to (neo)imperial projects? How do comics, by introducing new criteria for literary assessment, compel us to radically remap the location of culture?

  • graphic novel
  • imperialism
  • Marjane Satrapi
  • reception
  • Zeina Abirached
  • © 2018 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
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Vol. 4 No. 3, Summer 2018

Feminist Media Histories: 4 (3)
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Global Comics
Two Women's Texts and a Critique of Cultural Imperialism
Katherine Kelp-Stebbins
Feminist Media Histories, Vol. 4 No. 3, Summer 2018; (pp. 135-156) DOI: 10.1525/fmh.2018.4.3.135
Katherine Kelp-Stebbins
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Global Comics
Two Women's Texts and a Critique of Cultural Imperialism
Katherine Kelp-Stebbins
Feminist Media Histories, Vol. 4 No. 3, Summer 2018; (pp. 135-156) DOI: 10.1525/fmh.2018.4.3.135
Katherine Kelp-Stebbins
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site
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    • Abstract
    • PUBLISH, OR PARIS
    • THE GRAPHIC NOVEL AND THE ANXIETY OF INFLUENCE
    • GRAPHIC NARRATIVES: AUTOBIOGRAPHY AND WAR
    • GRAPHIC AESTHETICS: COMICS AS A PROBLEM FOR LITERARY RECEPTION
    • CONCLUSION
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