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Feminist Media Histories
The Girl You Don't See
Julie Harris and the Costume Designer in British Cinema
Melanie Williams
Feminist Media Histories, Vol. 2 No. 2, Spring 2016; (pp. 71-106) DOI: 10.1525/fmh.2016.2.2.71
Melanie Williams
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Article Information

DOI 
https://doi.org/10.1525/fmh.2016.2.2.71
Publication Date 
  • Published online April 25, 2016.

Published By 
University of California Press Journals
Online ISSN 
2373-7492

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© 2016 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.

Author Information

  1. Melanie Williams

    Melanie Williams is a reader in film and television studies at the University of East Anglia. Her research focuses on British cinema, with published work including the monographs David Lean (Manchester University Press, 2014) and Prisoners of Gender: Women in the Films of J. Lee Thompson (VDM Verlag Dr. Müller, 2009) and the coedited collections Shane Meadows: Critical Essays (Edinburgh University Press, 2013), Ealing Revisited (British Film Institute, 2012), Mamma Mia! The Movie: Exploring a Cultural Phenomenon (I. B. Tauris, 2012), and British Women's Cinema (Routledge, 2009).

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Vol. 2 No. 2, Spring 2016

Feminist Media Histories: 2 (2)
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The Girl You Don't See
Julie Harris and the Costume Designer in British Cinema
Melanie Williams
Feminist Media Histories, Vol. 2 No. 2, Spring 2016; (pp. 71-106) DOI: 10.1525/fmh.2016.2.2.71
Melanie Williams
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site

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The Girl You Don't See
Julie Harris and the Costume Designer in British Cinema
Melanie Williams
Feminist Media Histories, Vol. 2 No. 2, Spring 2016; (pp. 71-106) DOI: 10.1525/fmh.2016.2.2.71
Melanie Williams
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site
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    • Abstract
    • HOW JULIE HARRIS DID HER WORK, AND HOW SHE FELT ABOUT IT
    • DRESSING UP DARLING: FASHION, FEMININITY, MOBILITY, COSMOPOLITANISM
    • CONCLUSION
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