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Sound Studies
Roshanak Kheshti

Spring 2018, Vol. 4 No. 2, (pp. 179-184) DOI: 10.1525/fmh.2018.4.2.179
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Desperate HousewivesMurdering Gendered Nostalgia in Lady Killer
Kathleen McClancy

Summer 2018, Vol. 4 No. 3, (pp. 179-204) DOI: 10.1525/fmh.2018.4.3.179
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“Mythologized for Its Misogyny”Fighting Gender Discrimination in the Advertising Industry
Carolyn Bronstein, Jacqueline Lambiase

Fall 2018, Vol. 4 No. 4, (pp. 185-198) DOI: 10.1525/fmh.2018.4.4.185
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Editors' IntroductionWomen and Soundwork
Kate Lacey, Michele Hilmes

Fall 2015, Vol. 1 No. 4, (pp. 1-4) DOI: 10.1525/fmh.2015.1.4.1
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Star Studies
Mary Desjardins

Spring 2018, Vol. 4 No. 2, (pp. 185-190) DOI: 10.1525/fmh.2018.4.2.185
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Editors' IntroductionGendered Patterns of Discrimination in the Creative Industries
Vicky Ball, Laraine Porter

Fall 2018, Vol. 4 No. 4, (pp. 1-7) DOI: 10.1525/fmh.2018.4.4.1
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Internet Studies
Michele White

Spring 2018, Vol. 4 No. 2, (pp. 95-100) DOI: 10.1525/fmh.2018.4.2.95
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Clara Law Cheuk-yiu's Transcultural Cinema
Kay Armatage, Xiqing Qin

Winter 2019, Vol. 5 No. 1, (pp. 63-94) DOI: 10.1525/fmh.2019.5.1.63
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Transnational Media Cultures
Yiman Wang

Spring 2018, Vol. 4 No. 2, (pp. 207-213) DOI: 10.1525/fmh.2018.4.2.207
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“The Mystery Woman of Hollywood”Greta Garbo, Feminism, and Stardom
Lois Banner

Fall 2016, Vol. 2 No. 4, (pp. 84-115) DOI: 10.1525/fmh.2016.2.4.84

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