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Desperate HousewivesMurdering Gendered Nostalgia in Lady Killer
Kathleen McClancy

Summer 2018, Vol. 4 No. 3, (pp. 179-204) DOI: 10.1525/fmh.2018.4.3.179
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Transnational Media Cultures
Yiman Wang

Spring 2018, Vol. 4 No. 2, (pp. 207-213) DOI: 10.1525/fmh.2018.4.2.207
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Fabrics of DislocationA Biography of Appearance
Bennet Schaber

Winter 2017, Vol. 3 No. 1, (pp. 103-139) DOI: 10.1525/fmh.2017.3.1.103
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Black Media Studies
Manoucheka Celeste

Spring 2018, Vol. 4 No. 2, (pp. 38-43) DOI: 10.1525/fmh.2018.4.2.38
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Radio
Catherine Martin

Spring 2018, Vol. 4 No. 2, (pp. 173-178) DOI: 10.1525/fmh.2018.4.2.173
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Star Studies
Mary Desjardins

Spring 2018, Vol. 4 No. 2, (pp. 185-190) DOI: 10.1525/fmh.2018.4.2.185
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#LaughingWhileBlackGender and the Comedy of Social Media Blackness
Brandy Monk-Payton

Spring 2017, Vol. 3 No. 2, (pp. 15-35) DOI: 10.1525/fmh.2017.3.2.15
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Lesbian Feminist Cinema's Archive and Moonforce Media's National Women's Film Circuit
Roxanne Samer

Spring 2015, Vol. 1 No. 2, (pp. 90-124) DOI: 10.1525/fmh.2015.1.2.090
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A Rather Crude FeminismAmy Schumer, Postfeminism, and Abjection
Jason Middleton

Spring 2017, Vol. 3 No. 2, (pp. 121-140) DOI: 10.1525/fmh.2017.3.2.121
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Asian American Media Studies
Lori Kido Lopez

Spring 2018, Vol. 4 No. 2, (pp. 20-24) DOI: 10.1525/fmh.2018.4.2.20

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