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Architectures of ExchangeFeminism, Public Space, and the Politics of Vulnerability
Amy Herzog

Summer 2015, Vol. 1 No. 3, (pp. 66-94) DOI: 10.1525/fmh.2015.1.3.66
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Women & FilmThe First Feminist Film Magazine
Clarissa K. Jacob

Winter 2015, Vol. 1 No. 1, (pp. 153-162) DOI: 10.1525/fmh.2015.1.1.153
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Layers of Film, Encrusted ImagesEditing Practice in Cécile Fontaine's Cinema
Lucia Tralli

Summer 2016, Vol. 2 No. 3, (pp. 73-89) DOI: 10.1525/fmh.2016.2.3.73
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Editor's IntroductionData as Media
Miriam Posner, Lauren F. Klein

Summer 2017, Vol. 3 No. 3, (pp. 1-8) DOI: 10.1525/fmh.2017.3.3.1
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Looking for MyriamA Secret Genealogy of French Compilation Film
Monica Dall'Asta

Summer 2016, Vol. 2 No. 3, (pp. 29-53) DOI: 10.1525/fmh.2016.2.3.29
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Lesbian Feminist Cinema's Archive and Moonforce Media's National Women's Film Circuit
Roxanne Samer

Spring 2015, Vol. 1 No. 2, (pp. 90-124) DOI: 10.1525/fmh.2015.1.2.090
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Bad FeministsThe Secret History of TV's How to Marry a Millionaire
Annie Berke

Spring 2017, Vol. 3 No. 2, (pp. 166-174) DOI: 10.1525/fmh.2017.3.2.166
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Fabrics of DislocationA Biography of Appearance
Bennet Schaber

Winter 2017, Vol. 3 No. 1, (pp. 103-139) DOI: 10.1525/fmh.2017.3.1.103
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An Interview with Terry Wragg on the Work of the Leeds Animation Workshop
Yvonne Tasker

Spring 2016, Vol. 2 No. 2, (pp. 122-132) DOI: 10.1525/fmh.2016.2.2.122
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Digitally Preserving PotterThe Dailiness and Feminization of Labor within Digital Filmmaking and Archiving
Sarah Atkinson

Winter 2016, Vol. 2 No. 1, (pp. 29-44) DOI: 10.1525/fmh.2016.2.1.29

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